Robert Ginder’s House is the seventh mural to find a home on an empty wall in La Jolla, California.
And it is the most accessible. It’s on the wall of a former art gallery right on Prospect in La Jolla. And it is between two buildings that you can walk through. And no cars can park in front of it. So it was easy to get up close.
The original painting is oil on wood and uses 22-karat gold leaf in addition to the oils. The details show up very well on this enlargement. The reflections in the windows and the shadows on the “stucco” make this very realistic and a good reason to walk up and peer at it. If it wasn’t printed on a large piece of vinyl and attached to a large wall it would be easy to miss as a painting. There are a lot of houses in San Diego that look like this. Unfortunately, when I was there in mid-morning not one passerby looked up at it. That might be the case with all of the Murals of La Jolla. Maybe they only get, at best, a passing glance. But this one is so easy to examine and appreciate the details. If you can find a place to park, be sure to walk up close to this.
I’ve blogged about the first six in previous posts. They represent a wide variety of artistic viewpoints, from clean design such as Kim MacConnel’s tall ribbons of color, Girl From Ipanema and Roy McMakin’s ceramic tiles, Favorite Colors.
Anya Gallaccio’s electron microscope photo of a sand grain, Surf’s Up is getting hard to see. It seems to be fading or maybe it’s just hard to get a handle on what it is. Close up, the unusual shapes are more interesting than the whole.
John Baldessari’s odd pairing, Brain Cloud with SeaScape and Palm Tree is not easy to see. You have to look way up from the sidewalk by the cove on a wall facing another high wall.