The eighth mural of La Jolla is on an accessible wall and is printed so well on the large Miroflex cloth that the texture of the impasto looks three dimensional. Richard Allen Morris uses texture and vivid colors in his paintings; this mural is called “Applied” and is printed from a photo of the original eight-by-eleven inch work. The mural is surprisingly clear and the textures pop. This is easy to relate to, easy to walk up close to. It reminds me of scoops of ice cream–maybe because it was especially warm on the day I walked by.
A couple of the murals seem a little worse for wear in the bright sunlight–Anya Gallaccio’s electron microscope image of a sand grain seems to be fading–the dark valleys are not nearly as dark as they used to be and Ryan McGinness’s “53 Women” is not quite as vibrant–the primary colors are just a little less startling. Of course, maybe it’s not the sun’s fault. Maybe I’m just used to seeing those two.
I had lunch at George’s of the Cove and sat next to John Baldessari’s brain cloud and it is just as weird as ever. That third floor terrace is about the only place you can really see the whole of Baldessari’s mural. From the walkway below by the sea, the top part is visible but not the deep blue of the ocean below the brain cloud. It takes a while to get used to Baldessari but the brain cloud is my favorite Murals of La Jolla.
There will be eight more murals in the next months.
Richard Allen Morris’s Applied is fun. It kind of sneaks up on you as you walk up Fay Street. It seems more “universal” in that you only need to appreciate the artist’s use of color and the movement given the color with the use of texture and not ponder what the deeper meaning might be. It’s a great swirl of energy.